Our friends at The Collectors Weekly shared this story with us and we’re very pleased to pass it on.
November 3rd, 2009
By Maribeth Keane and George Spencer (Copyright Collectors Weekly 2009)
Tony Hyman has been collecting cigar boxes since he was 12. By his 17th birthday, he had amassed a collection of some 2,300 boxes. Recently, we spoke to Hyman about his online National Cigar Museum, the legendary self-igniting cigar, and the history of cigar manufacturing in New York City. Hyman can be reached via his website, www.cigarhistory.info, which is a member of our Hall of Fame.
The National Cigar Museum has been open for 10 to 12 years in various formats on the Internet, but I completely redesigned the site about four years ago. In the early days, I’d send information to cigar collectors and industry executives, and they’d post it, so they had control of the site. But when iWeb came out for the Mac, it made it so easy to build and maintain a site that I took it back from them, because they weren’t posting enough new material.
Cigar tobacco tin from Virgina in the 1920s.
A 1920s cigar tin from a popular Pierre Lorillard brand.
Since I’ve taken over the site and revamped it, I’ve put up 168 exhibits. Some of them have as many as 100 photographs. My long-term goal is to have about 300 exhibits covering the history of cigars as well as the various artifacts associated with them—premiums, labels, boxes, photographs—and the complete gamut of memorabilia, including ashtrays and holders. I want to create a permanent source of information for everyone interested in the field.
For the most part, the photographs in the museum are of my own collectibles. There are also a few exhibits from people who are very prominent in the field. For example, I went to Amsterdam and photographed several major collections of Dutch cigar tins. As a result, I’ve posted two exhibits—pre-World War I tins and post-World War I tins. Those are images from other collections.
My goal isn’t to hog the glory, such as it is. Instead I want to provide information to amateurs, beginners, and dealers, so they can properly evaluate what they have. I’m happy to refer to other collectors and their collections, and I show pictures of things that they own. Nonetheless, more than 90 percent of what’s posted belongs to me. I label the pieces and note in an item’s description if I don’t own it.
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